Koe Wetzel & HARDY
With special guest: Chris Colston
We look forward to welcoming Koe Wetzel & HARDY to Billy Bob’s Texas on Wednesday, March 10 and Sunday, March 14. We offer a one of a kind experience in the heart of the Fort Worth Stockyards! While you’re here check out the Honky Tonk Kitchen, Billy Bob’s gift store, and the Handprint Wall of Fame!
Koe Wetzel & HARDY at 9:00 PM on the Main Stage
Chris Colston at 8:00 PM
Doors Open at 6 PM
Please plan to arrive early as the process to get into Billy Bob’s Texas will take longer than normal due to the new COVID-19 safety protocols.
*Note that there will be no valet or bull-riding on this night.
ATTENTION GUESTS! Download the AXS mobile app for contact-less entry, securely share tickets with friends, buy tickets quickly and easily, and more!
Please note that General Admission ticket holders may not be allowed to stand along the sides of the Reserved Seating area!
Contact the Ticket Office at 817-624-7117 or email email@example.com with questions.
Thanks for working with us to make the entry process as efficient as possible.
What can our guests expect when returning to Billy Bob’s Texas? Learn more about our plan and procedures for re-opening at billybobstexas.com/safeandclean.
About Koe Wetzel
Some artists break one or two rules. Koe Wetzel breaks pretty much all of them.
The Texas-born singer, songwriter, guitarist, and producer kicks out hard rock hooks with a twang bred in rough and tumble dives, yet meant for stadium stages. For as much as he unapologetically trailblazes between grunge, country, Americana, and damn near everything else under the sun, this maverick broke through the old-fashioned way—he busted his ass. Since 2015, he has quietly sold over 200,000 units independently, cranked out 100 million streams and views, and went from playing bars with chicken wire in front of the stage to hosting and headlining his own packed-to-the-gills Koe Wetzel’s Incredible Music Festival surrounded by fireworks and thousands of screaming fans.
On his third album and debut for Columbia Records, Koe continues to set the rulebook on fire by simply being himself…
“We live what we write, man,” he exclaims. “I don’t make anything up. Everything I’m singing is true. Authenticity is the most important thing to me. All of the music is me.”
He began “living” music as a kid. Hailing from Pittsburg, TX, he accompanied mom as she performed on the Opry circuit. As they went town-to-town, he watched his mother belt out country classics from the side of the stage. Grandpa introduced him to Creedence Clearwater Revival. Meanwhile, dad bumped hip-hop gems from The Notorious B.I.G., Tupac, and 50 Cent. In addition to listening to Garth Brooks, Johnny Cash, George Jones, and Willie Nelson, he developed a passion for alternative rock. In eighth grade, a cousin shared an iPod playlist and opened Koe’s eyes to Smashing Pumpkins, Soundgarden, and Nirvana. “I turned into a rock head,” he smiles.
He dusted off an old guitar received as a Christmas gift after a key realization. “I figured out you could get girls easier,” he recalls. In between performing, he played football as a linebacker for his high school and eventually Tarleton State University. Even with the 5am practices, he spent all night writing, jamming, and recording. After an ankle injury and subsequent six month-hiatus, he dropped out of college in sophomore year and went all-in for his career. Within eighteen months of throwing down four-nights-a-week around Texas and Oklahoma, shows began to sellout. Koe’s 2017 debut Noise Complaint became a phenomenon powered by “February 28, 2016” [19.2 million Spotify streams], “Something To Talk About” [15 million Spotify streams], “Love” [12.9 million Spotify streams], “Fuss & Fight” [11.9 million Spotify streams], and more.
Mind you, he managed to pull this off without a label, agent, or traditional structure to speak of.
“We did everything on our own,” he goes on. “We also like to get drunk and have a good time, so me getting arrested a couple of times probably helped out a bit,” he laughs.
The momentum continued with 2019’s Harold Saul High and its singles “Ragweed” and “Forever” as more sold-out shows ensued. Following a tireless grind, he surprise-released the 2020 anthem “Kuntry & Wistern,” which exploded right out of the gate trending on Apple Music and garnering praise from The Boot who wrote “Wetzel has earned a reputation as one of the Lone Star State’s most high-energy and engaging performers.” Soon after, Koe inked a deal with Columbia Records.
As usual, he pulls no punches with the hook, “I think I’ve lost my fuckin’ mind, at least that’s what you told me,” over a palm-muted clean guitar.
“I’ve always listened to a big variety of artists, and that inspires me to this day,” he continues. “I might be crafting lyrics in a hip-hop sense, chords in a rock sense, and melodies in a country way. All of those elements combine within the process of making music.”
That inimitable style shines on the single “Sundy or Mundy.” A bass groan gives way to vivid verses before the chorus climbs over a wall of distortion and a guitar lead rings out.
“It’s about losing your mind,” he explains. “When you’re sitting there in the studio, you can forget what day it is. It was written from the same perspective. You get delirious and numb to the whole situation. It’s got a gritty and heavy sound, but the choruses go down smooth and steady.”
As he smashes more rules, Koe Wetzel emerges as the outlaw the 21st century needed all along.
“Whatever you’re going through, I want to help you go through it,” he leaves off. “I know I’m not the only one who feels the way I do. I hope maybe this helps you build a better life. When I’m onstage, it’s carefree. There’s not a worry in the world. I don’t think about my troubles or what’s going on in my life. It’s just about the music and the fans. You don’t need anything else.
Connect with the artist:
With every new release, Big Loud Records’ HARDY puts his signature loud-and-rowdy stamp on modern Country music as both an artist and a CMA and ACM-nominated songwriter. His current Top 25 single “One Beer” feat. Lauren Alaina and Devin Dawson and newest fan-favorite “BOOTS” preview his debut album, A ROCK, releasing September 4 via Big Loud Records. The boundary-pushing collection follows 2019’s countrified mixtape HiXTAPE VOL. 1 – praised by Billboard as “one of the most ambitious projects of the year” – and career-launching EPs THIS OLE BOY and WHERE TO FIND ME. The pride of Philadelphia, MS continues to “embody that classic Country spirit while pushing the boundaries of modern radio music” (American Songwriter) as a songwriter, earning four PLATINUM-certified #1 singles over 18 months – Morgan Wallen’s 2X PLATINUM “Up Down,” FGL’s 2X PLATINUM “Simple,” Chris Lane’s PLATINUM “I Don’t Know About You” and Blake Shelton’s 2X PLATINUM “God’s Country.”
About Chris Colston
East Texas native, Chris Colston has recently sent a storm sweeping through the Texas/ Red Dirt scene with the release of his 2018 EP, “Gone.” The title track surpassed a half-million streams on Spotify in just a few short months after its release and with that, Colston set the bar quite high for himself as well as other upcoming artists in the scene.
Colston’s musical story began when his stepfather signed him up for drum lessons at the age of 7. He knew immediately that he wanted to be a musician and a few years later he picked up the guitar. At 17, Colston formed his first band and they hit the road playing everywhere they could. Colston’s music is heavily influenced by some of the greats he grew up listening to like Lynard Skynard, The Allman Brothers and country legends Merle Haggard and Willie Nelson. His musical sound has continued to grow with inspiration from Whiskey Myers and Blackberry Smoke. Listening to them helped Colston curate his own style of what he describes as “gritty Texas roots combined with a little blues and rock n’ roll.” His powerful vocals are undeniable and his honest, relatable lyrics resonate with his rapidly growing fan base creating a product you cannot deny.
Colston is already back in the studio pushing the limits of his song writing. New music is expected to be released in 2019.